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Psychedelia: An Ancient Culture, A Modern Way Of Life, by Patrick Lundborg
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A groundbreaking book from the author of the highly-acclaimed Acid Archives: Psychedelia: An Ancient Culture, A Modern Way of Life is a product of 20 years research and Patrick Lundborg's greatest achievement. A larger number of people are exploring psychedelic states of mind in the world today than at any other point in history. Their shared experiences form the outline of a vast underground culture, whose steady influence upon society can be traced across thousands of years, back to Amerindian plant drug cults and the psychedelic celebrations in ancient Greece that gave birth to our Western society. But the full scope of this psychedelic culture, and its many expressions in the past, has remained poorly understood or even unknown. Psychedelia has usually been taken as a metaphor, or a symptom of something else, even though its true nature is singular and unparalleled. Psychedelia by Patrick Lundborg is the first-ever book to present psychedelic culture in its full complexity and range. Out of a colorful history that spans 3,500 years, emerges a philosophy and way of life that is as dazzling and rich as the psychedelic experience itself. As this book shows, psychedelia is a living underground culture, engaged in constant dialogue with its mainstream counterpart. Psychedelia's creative, visionary presence in art, rock music and pop culture is thoroughly examined, highlighting many unique and at times unknown works and traditions, from William Blake to Philip K. Dick, from Eden Ahbez to Shpongle, from Haight-Ashbury to the beaches of Goa. The 20th century's misguided attempts to reduce psychedelia into a branch of psychology or religion are given a critical, sometimes controversial look. A case is made for psychedelic philosophy, a fresh, unprejudiced model to replace the failed interpretations of the past. In the third millennium, psychedelic culture may be standing on the brink of a mystery greater than anything encountered in the past. This mystery comes forth in chapters on ayahuasca and DMT, and has reverberations far outside the realms of psychedelia, cutting into vital questions of consciousness and evolution. Most of all, psychedelia is a celebration of life, in the here and now and in the deep realms of inner-space. The final chapters of Psychedelia discuss the challenges and rewards of the psychedelic experience, as mastered by shamans and teachers from various entheogenic cultures.
- Sales Rank: #897735 in eBooks
- Published on: 2014-11-27
- Released on: 2014-11-27
- Format: Kindle eBook
About the Author
Patrick Lundborg (b. 1967) has a B.Sc in Information Science from Stockholm University, with additional studies in Classic Philosophy and History of Religion. After retiring from a professional career as a project manager, he works full-time as a writer-researcher in the field of psychedelic culture. Among his earlier works are The Age Of Madness (1992), a guide to 1960s garage music, and 13th Floor Elevators The Complete Reference File (2002). The Acid Archives (2006-2010), a pioneering study of underground 1960s-70s music from North America, is Lundborg s most popular work to date, having gone through two editions and five reprintings, and receiving favorable reviews in leading magazines such as Mojo and The Wire. In addition to the books and the Lysergia.com website he edits, Lundborg has written magazine articles, monographs and album liner notes.
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13 of 13 people found the following review helpful.
Everything you always wanted to know about psychedelia...
By Dema
Seems like there is a broad standard work for the world of psychedelics published every 12-14 years or so. In the early 2000s there was Daniel Pinchbeck's book, while the late '80s saw "Acid Dreams" and "Storming Heaven". Back in the mid-70s we had the Psychedelic Encyclopedia and also the High Times encyclopedia. Now, finally, a work has arrived that continues the tradition of not only introducing the psychedelic universe to newcomers, but also to expand and illuminate the knowledge of experienced psycho-nauts. "Psychedelia" by Patrick Lundborg reflects massive preparations (20 years according to the author) using source material as diverse as old occult magazines and the philosophy of Maurice Merleau-Ponty (whose mescaline experiments surprised me).
As a scholarly-historic work that goes back to the ancient kykeon and soma, "Psychedelia" fulfills its task and brings up a number of little-known factoids to outline an "alternative spiritual culture" of our society. But what makes this book a thrill is not the arcane literature references and footnotes, but that it dares to be entertaining and even provocative. Many things assumed "given" in the psychedelic landscape are questioned, and things that have never been properly explained (example: the Tim Leary group's inability to separate LSD from psilocybin -- like Lundborg states, these are two very different realms) are spotlighted. The psychiatric LSD research of the 1950s-60s is laid bare with reckless guinea pig experiments on schizophrenics and other defenseless people. Their big research endeavor led to nothing, and like Lundborg implies, someone should look into what may be a medical scandal that has never been exposed.
The anthropologists and ethnobotanists come off better, even if there is an intriguing suggestion that the reason for the slow research progress on the native drugs of Amazonia (like ayahuasca) was because the local tribes purposely fooled the Western field scientists, in order to keep their rituals secret. Lundborg makes a case for this in a chapter on "entheogenic" plant drugs. The coverage of ayahuasca and DMT is where the book particularly stands out, as there has been (to my knowledge) no full-scale coverage of these drugs, their traditions and effects before. There are trip reports you won't believe! In addition to the psychedelic drugs in themselves, much space is given to their relation to western mainstream/pop/underground cultures, such as a fun look at hidden clues in Shakespeare's "The Tempest" and a critique of James Cameron's "Avatar". The Haight-Ashbury scene of the '60s is detailed from a modern perspective far from your romanticized baby-boomer recollections.
Two favorite chapters where I couldn't think of any similar works dealt with how psychedelic drug users approach religious systems like buddhism, hippie cults like Father Yod's family, and the "up the country" '70s communes. Here and elsewhere, Lundborg brings up meaningful and often startling perspectives by his insistence on putting the psychedelic experience at the center, and then observing cultural and social phenomena through this colorful prism.
With 500+ pages there's much more to mention but I have to stop here, and simply say: Patrick Lundborg's book fills an increasingly wide knowledge gap in the psychedelic world, and anyone with even the slightest interest in that world will find "Psychedelia" useful and frequently enchanting.
10 of 11 people found the following review helpful.
Are you experienced?
By John L Murphy
This is a substantial book on an often ephemeral theme. This Swedish information theorist, and past chronicler of underground, garage, and acid rock, turns to the wider contexts driving the sounds of the Sixties and since. It's a welcome contribution and a serious, academic work.
Beginning three-and-a-half thousand years ago, unfolding over five-hundred closely printed pages and half a million words, presenting two decades of research, Patrick Lundborg explores "the world's largest mystery cult." Rather than reducing psychedelia to psychology or religion, he envisions a philosophy. His foreword explains how Edmund Husserl's theory of phenomenology melded his study of Aldous Huxley and hallucinations to trigger "several hundred pages of speculative thoughts." Inspired and intrigued by the elusive lack of a label for his pursuit, he provides two sections, corresponding with the two cycles of psychedelic culture.
First, the Eleusinian Mysteries of the ancient Greeks begin an historical magical mystery tour. Lundborg presents recent analyses pinpointing the catalyst for the storied inner journeys undertaken by a coterie of initiates. The Greeks brewed an infested barley-mint concoction which sparked hallucinations resembling those of ergot, refined by Albert Hoffman in the 1940s as LSD-25. Between these two events, part one unfolds the range of "an ancient culture".
In thoughtful vignettes integrating everyone from The Fisher King to Tiki-exotica musician Martin Denny, this delves into hundreds of figures who've established careers and courted notoriety by daring to leave their convention behind, by ingesting substances or immersing themselves in situations open to what Husserl's follower Eugen Fink summed up as "a wonder in the face of the world". This suggestive phrase invites us, I may add, to contemplate these terms: does the psychedelic adept make the "face" of the average human "wonder" as a few rebels depart the mundane "world" by experimental inner journeys? Or does such an adventurer witness the "world" in its true "face" through a burst of released, inherent "wonder"?
Bookended by old and new decoctions from barley's alchemists, part one sets up twelve chapters which crisscross the globe and time. Hoffman, Huxley, the McKenna brothers, Alan Watts, the Grateful Dead, Owsley, Tim Leary: while many names will be familiar as our near-contemparies, appearing as if characters encountered in a vast picaresque novel, the pace remains steady and the learning simmers into a satisfying, if thick blend. Best taken in small doses, given the small font and formidable size (one drawback: the paperback feels enormous, relegating its index to online access only), it's a solid resource on what's been too often left for silly flights of fancy or sophomoric pronouncements an ephemeral topic. Lundborg, as a diligent tour guide through psychedelia in theory and practice, keeps moving forward in time and space. But like his swirling subject, he cannot help pursuing byways, tracking trains of thought, and wandering off on rewarding detours.
Here's a sample of the range in part one: from Neoplatonism to Shakespeare's The Tempest; ayahuasca to DMT; Yeats to peyote; Blake to the first Western Buddhist Beats; Swedenborg to psilocybin; Forbidden Planet to Apocalypse Now. A handy index is missed, as the material can prove enormous to keep track of (beyond a thematic table of contents) as it accumulates, However, its gathering in a compendium enhanced by a blog and pdf index via the author's Lysergia website attests to his ongoing commitment to understanding this notoriously caricatured and misinterpreted subject.
To exemplify the depth of Lundborg's printed excursions, dip into a random page (288) to find a discussion of the 13th Floor Elevators' undeservedly obscure cult 1967 album Easter Everywhere, graced with nods to lyrical allusions to Robert Heinlein's arguably too-well-known cult novel Stranger in a Strange Land, and its predecessor for a previous century of exotic Western seekers, The Rubaiyat. Cymbeline and The Waste Land earn inclusion, to express the meaning of "dust" in on side two as a "life-embracing world-view around a word usually associated with death".
The second section examines psychedelia as "a modern way of life": it flows from preceding treatment of the explosion of interest in drugs and spirituality in the 1960s. Lundborg divides the ancient from the modern era in 1963: that concludes the "Scientific-Artistic Phase" and introduces the counterculture. Ken Kesey, Alan Watts, Allen Ginsberg, Richard Alpert, and Tim Leary's roles, familiar to many, find juxtaposition with now less celebrated proponents such as Ralph Metzner and the Diggers, who urged radical transformation given the freedom conceived via hallucinogens.
Concerning liberation, the political and spiritual ramifications of such advocacy, the author notes, did not always mesh well with imported academic theories-- or with other novel systems imported. Lundborg astutely warns of the fallacy of many "Western psychedelicists" to too "readily accept the religious-mythical label from a remote and highly complex culture as an explanation for a personal experience," when it comes to spurious applications of such texts as that popularized as The Tibetan Book of the Dead. From 1964, one recalls "Leary-Alpert-Metzner's generally useless guide-book" The Psychedelic Experience as illustrating this "presumed overlap". Instead, Lundborg urges one to enjoy without trying to bias or label the encounter within an esoteric mind state.
Later coverage roams into the rave culture, garage bands, stoner rock, shamans and chillouts, Ecstasy and DMT, and comparisons between LSD and ayahuasca. Philip K. Dick's attempt to describe his VALIS visions enters a chapter reflecting on--as one subtitle has it--"poetry, gibberish and eloquence" appropriately. Lundborg calmly tackles slippery subjects: how can a report on a non-verbal experience be rendered in print? Perhaps film, art and music (also treated here; a few brilliant color and sepia plates try to depict venerable and fresh adepts under the influence) may better capture the plunge or the flight.
Therefore, in challenging closing chapters, Lundborg posits a "Unified Psychedelic Theory" that charts the aftermath of "an effective dose of a major serotonergic psychedelic" on four levels of a "General Trip Model". This necessitates brain chemistry, multiple realities, and perceptions that defy facile reduction. The heft of this volume delivers the results.
Lundborg presents a "supra-state" which "birthed our consciousness" but which we don't rely upon for daily survival nowadays. Beyond this level, we can "poke holes through our common mindstate" so as "to peek into" a higher state. Enough of a dose, and "we may put our heads through the wall" and communicate with this state, which has accompanied us since we were born. On the final page of this massive, energetic, and reflective study, we find that this Stockholm scholar has barely nudged open what Blake, Huxley, and a certain rock band testified to as the "doors of perception".
0 of 0 people found the following review helpful.
Are You Experienced?
By Evan Gill
Heard about this book from Dr. Bruce Damer, on Joe Rogan's show. The amount of detail in this book is remarkable, and I was able to discover tons of psychedelic albums that haven't received much press, but are very very good. He mentions the influence of the Beatles, Bob Dylan and Donovan on the other artists of the time, and how originally Jefferson Airplane and the Byrds didn't really utilize psychedelic rock in the early stages, but later learned how to produce master albums. I love how Lundborg went into details like the Diggers in San Francisco's Haight-Ashbury, a group I've never heard of. His detailing of Eleusis, and underground psychedelic cultures in Europe post Eleusis and the LSD scene in the 1960's with Owsley, Alpert, Leary, Kesey and many others went very deep into all the production of it, and the doses used at the time. He lets you know the differences with LSD, psilocybin, DMT, mescaline, and is all about ensuring safety and insightful trips. He draws from Terence McKenna many times, and I have loved McKenna's viewpoints for awhile now. Fantastic book for anyone who would like to perturb their consciousness and think about what is really going on here, on this planet, floating through space.
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