Rabu, 23 Juli 2014

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Geronimo is travelling across the scorching Egyptian desert on the back of a grumpy old camel! He's looking for the Great Cheese Pyramid, where the secret of the Seven Wonders of the Ancient Mouse World lies hidden. Can Geronimo get past the mummies to claim his prize? Incredible interactive website create your own avatar for New Mouse City! Funny and adventurous stories with colourful, engaging text design makes Geronimo Stilton perfect for aspirational readers of Diary of a Wimpy Kid. A huge hit with both avid and reluctant readers aged 5+.

  • Sales Rank: #4516657 in Books
  • Published on: 2012
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.52" h x .39" w x 5.43" l, .49 pounds
  • Binding: Paperback

About the Author
Geronimo Stilton is the publisher of The Rodent's Gazette, Mouse Island's most famouse newspaper. In his spare time, Mr. Stilton enjoys collecting antique cheese rinds, playing golf, and telling stories to his nephew Benjamin. He lives in New Mouse City, Mouse Island.

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Selasa, 22 Juli 2014

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Programmers who endure and succeed amidst swirling uncertainty and nonstop pressure share a common attribute: They care deeply about the practice of creating software. They treat it as a craft. They are professionals.

 

In The Clean Coder: A Code of Conduct for Professional Programmers, legendary software expert Robert C. Martin introduces the disciplines, techniques, tools, and practices of true software craftsmanship. This book is packed with practical advice–about everything from estimating and coding to refactoring and testing. It covers much more than technique: It is about attitude. Martin shows how to approach software development with honor, self-respect, and pride; work well and work clean; communicate and estimate faithfully; face difficult decisions with clarity and honesty; and understand that deep knowledge comes with a responsibility to act.

 

Readers will learn

  • What it means to behave as a true software craftsman
  • How to deal with conflict, tight schedules, and unreasonable managers
  • How to get into the flow of coding, and get past writer’s block
  • How to handle unrelenting pressure and avoid burnout
  • How to combine enduring attitudes with new development paradigms
  • How to manage your time, and avoid blind alleys, marshes, bogs, and swamps
  • How to foster environments where programmers and teams can thrive
  • When to say “No”–and how to say it
  • When to say “Yes”–and what yes really means

 

Great software is something to marvel at: powerful, elegant, functional, a pleasure to work with as both a developer and as a user. Great software isn’t written by machines. It is written by professionals with an unshakable commitment to craftsmanship. The Clean Coder will help you become one of them–and earn the pride and fulfillment that they alone possess.

  • Sales Rank: #70864 in Books
  • Published on: 2011-05-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .70" w x 6.90" l, .90 pounds
  • Binding: Paperback
  • 256 pages

Review
“‘Uncle Bob’ Martin definitely raises the bar with his latest book. He explains his expectation for a professional programmer on management interactions, time management, pressure, on collaboration, and on the choice of tools to use. Beyond TDD and ATDD, Martin explains what every programmer who considers him- or herself a professional not only needs to know, but also needs to follow in order to make the young profession of software development grow.”

–Markus Gärtner

Senior Software Developer

it-agile GmbH

www.it-agile.de

www.shino.de

 

“Some technical books inspire and teach; some delight and amuse. Rarely does a technical book do all four of these things. Robert Martin’s always have for me and The Clean Coder is no exception. Read, learn, and live the lessons in this book and you can accurately call yourself a software professional.”

–George Bullock

Senior Program Manager

Microsoft Corp.

 

“If a computer science degree had ‘required reading for after you graduate,’ this would be it. In the real world, your bad code doesn’t vanish when the semester’s over, you don’t get an A for marathon coding the night before an assignment’s due, and, worst of all, you have to deal with people. So, coding gurus are not necessarily professionals. The Clean Coder describes the journey to professionalism . . . and it does a remarkably entertaining job of it.”

–Jeff Overbey

University of Illinois at Urbana-Champaign

 

“The Clean Coder is much more than a set of rules or guidelines. It contains hard-earned wisdom and knowledge that is normally obtained through many years of trial and error or by working as an apprentice to a master craftsman. If you call yourself a software professional, you need this book.”

–R. L. Bogetti

Lead System Designer

Baxter Healthcare

www.RLBogetti.com

From the Back Cover
Even bad code can function. But if code isn't clean, it can bring a development organization to its knees. Every year, countless hours and significant resources are lost because of poorly written code. But it doesn't have to be that way.
Noted software expert Robert C. Martin presents a revolutionary paradigm with "Clean Code: A Handbook of Agile Software Craftsmanship." Martin has teamed up with his colleagues from Object Mentor to distill their best agile practice of cleaning code "on the fly" into a book that will instill within you the values of a software craftsman and make you a better programmer-but only if you work at it.
What kind of work will you be doing? You'll be reading code-lots of code. And you will be challenged to think about what's right about that code, and what's wrong with it. More importantly, you will be challenged to reassess your professional values and your commitment to your craft.
"Clean Code" is divided into three parts. The first describes the principles, patterns, and practices of writing clean code. The second part consists of several case studies of increasing complexity. Each case study is an exercise in cleaning up code-of transforming a code base that has some problems into one that is sound and efficient. The third part is the payoff: a single chapter containing a list of heuristics and "smells" gathered while creating the case studies. The result is a knowledge base that describes the way we think when we write, read, and clean code.
Readers will come away from this book understanding
How to tell the difference between good and bad codeHow to write good code and how to transform bad code into good codeHow to create good names, good functions, good objects, and good classesHow to format code for maximum readabilityHow to implement complete error handling without obscuring code logicHow to unit test and practice test-driven developmentThis book is a must for any developer, software engineer, project manager, team lead, or systems analyst with an interest in producing better code.

About the Author
Robert C. Martin (“Uncle Bob”) has been a programmer since 1970. He is founder and president of Object Mentor, Inc., an international firm of highly experienced software developers and managers who specialize in helping companies get their projects done. Object Mentor offers process improvement consulting, object-oriented software design consulting, training, and skill development services to major corporations worldwide. Martin has published dozens of articles in various trade journals and is a regular speaker at international conferences and trade shows.

 

He has authored and edited many books, including:

 

  • Designing Object Oriented C++ Applications Using the Booch Method
  • Patterns Languages of Program Design 3
  • More C++ Gems
  • Extreme Programming in Practice
  • Agile Software Development: Principles, Patterns, and Practices
  • UML for Java Programmers
  • Clean Code

A leader in the industry of software development, Martin served for three years as editor-in-chief of the C++ Report, and he served as the first chairman of the Agile Alliance.

 

Robert is also the founder of Uncle Bob Consulting, LLC, and cofounder with his son Micah Martin of The Clean Coders LLC.

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117 of 121 people found the following review helpful.
Like a long talk with a software mentor
By Michelle J. Kenoyer
This book is good at providing a general overview of what it means to be a software professional. Lots of good advice and provides many resources and a general framework for thinking about the subjects he presents.

Sometimes the author presents strategies very specific to him that wouldn't work for me. For example, I tried the pomodoro method before and had mixed results. I think readers would benefit more looking at the goal (better time management) and finding a methodology that works for them to accomplish that goal.

He is very bullish on unit tests, stating that there is no longer and controversy over TDD. As a huge fan of unit tests, I find many places I have worked at have very little interest in unit testing or don't see any real benefit.

The book is also very strongly against being in the Flow to program which I found interesting. This is pretty much 100% the opposite of everything else I have ever heard/read.

He is also against listening to music while programming. He provides a weird example where while listening to Pink Floyd his code comments had Pink Floyd references. The author has a tendency to confuse something that is true for him ("I don't listen to music while programming") to a general universal rule ("Programmers shouldn't listen to music while programming").

Most programmers I know who listen to music do so as white noise. For instance, I listen to techno many times while programming. I don't like techno but the droning drum servies to drown out the office chitter chatter at my current gig.

Like Clean Code, I don't always agree with the author but provides good food for thought and is worth the read!

136 of 158 people found the following review helpful.
Disappointing.
By Andrew Coats
Overall, I would say this book was disappointing. Admittedly, I had high expectation after reading "Clean Code". Perhaps it was the rather too personal anecdotes that initially turned me off. I would say you are better of reading "Pragmatic Programmer" and a book on Scrum XP and software project estimation.
As other reviews have said, it feels like a collection of blog articles published in a book.

Chapter 1. Professionalism
The book got off to a bad start for me... the first chapter on professionalism:
"Do the math. In a week there are 168 hours. Give your employer 40, and your career another 20. That leaves 108. Another 56 for sleep leaves 52 for everything else.

Perhaps you don't want to make that kind of commitment, That's fine, but should not think of yourself as a professional. Professionals spend time caring for their profession."

Really? 20 hours per week; so if you spend 10 per week reading blogs, listening to podcasts, doing kata's etc... you are no longer a professional? While I agree, you have to take personal responsibility for your career, asserting that you have to spend 20 hours a week seems over the top to me. Perhaps the author wishes to be controversial and overly opinionated to provoke debate?

Chapter 4. Coding.
The section on listening to music while coding has a truly bizarre anecdote:
"One day I went back into a module that I been editing while listening to the opening sequence of The Wall. The comments in that code contained lyrics from the piece, and editorial notations about dive bombers and crying babies."

I'm guessing lots of people listen to music while coding without a problem. I can imagine, if I had been working 80 hour weeks for the last month, I would something similar, but surely that is a symptom of being on a death march?

I liked the section on false delivery. It can sometimes be difficult for everyone to have a shared understanding of 'done'. A former Scrum Master used to have a short meeting whenever a new team member joined us to cover the "definition of done".

6. Practicing
I'm a little skeptical of repeatedly doing the same kata; yes create side projects to spike a new technology that you wish to learn about - but I'm not convinced that continued repetition of kata helps.

9. Time Management
I was glad to read, that it is OK to decline a meeting. It validates my practice of declining meetings without an agenda/ goal/ deliverable.

I liked the advice, on how to leave a meeting that you are not adding value to and from which you are receiving no value.

Focus-Manna
I thought this section contradicted what the author mentioned about 'The Flow Zone' in chapter 4.

"We write code when our focus-manna is high; and we do no other, less productive things when it's not.".

On the Zone - "It is the highly focused, tunnel-vision state of consciousness that programmers can get into while they write code.".

10. Estimation.
The following excerpt I found very peculiar - "I've only been drunk two times in my life, and only really drunk once. It was at the Teradyne Christmas party in 1978. I was 26 years old.".

14. Mentoring, apprenticeships and Craftsmanship.
I felt this chapter could have been longer, with more depth and more concrete proposals; this chapter should of been the highlight of the book - as the most of the themes of the book are either covered in depth elsewhere or are part of best practices/ agile bandwagon (TDD, unit tests, acceptance tests). It would have been nice to provide more information about efforts the IEEE or the ACM are doing to promote the idea of software professionals. A discussion on certifications may have been useful.

It felt like the book ended rather abruptly with on Tools. It seems this chapter is going to make the book dated very quickly; whereas a book on titled "The Clean Coder: A Code of Conduct for professional programmers" should be timeless.

24 of 26 people found the following review helpful.
There is no try!
By Robert H. Stine Jr.
In "The Clean Coder: A Code of Conduct for Professional Programmers," Uncle Bob Martin is his usual, controversial self, but he is often convincing. One upshot is that I will never again tell a manager that "I'll try" to hit an overly ambitious deadline: I will either commit or refuse to commit, or offer an estimate of the odds of success. On the topic of deadlines, Martin observes that project managers and "suits" regard completion dates as commitments, while programmers tend to regard them as estimates, usually overly optimistic estimates. He makes the case that it is the professional duty of programmers to come up with realistic estimates and then stick to their guns.

Another good point Martin makes is that a professional programmer should take the responsibility to hone his or her skills outside working hours. He recommends working a focused and productive 40 hours a week, and then spending 20 hours a week on career development: reading, learning other languages, even practicing programming "katas".

One of the most controversial claims Martin makes is that getting into "the zone" - that mental state of total concentration for which programmers strive - is a bad idea, because it results in too narrow a focus. Personally, I'm not convinced. I think that the problems of focused programming can be remedied by being sure to take a big-picture view from time to time, and also by code reviews.

A problem with this book is Martin's use of overstatement to indicate emphasis. So when he says "never, never, never" agree to meet a deadline by working extra hard and long, he means "hardly ever". His insistence that agreeing to accelerate effort inevitably result in low quality code just does not wash. Not that it can go on forever, but my own experience is that a brief and intense push can often get things done faster without sacrificing quality. Even Martin's suggested regimen suggests that there is slack in the schedule: surely the 20 per week of career development could be sacrificed from time to time. I shudder to think of a mid-level programmer, influenced by Martin's rhetoric, refusing to work extra hours "on principle", thus harming both his own career and the prospects of his company.

With that caveat, however, the book has much sound advice, and is an excellent read to boot.

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  • Sales Rank: #4704395 in Books
  • Published on: 2009
  • Number of items: 2
  • Binding: Paperback

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Watercolor Techniques: Painting Light and Color in Landscapes and Cityscapes, by Michael Reardon

Watercolor Techniques: Painting Light and Color in Landscapes and Cityscapes, by Michael Reardon



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Watercolor Techniques: Painting Light and Color in Landscapes and Cityscapes, by Michael Reardon

"No other medium is as magical and enjoyable as watercolor."

So says artist and author Michael Reardon. In Watercolor Techniques: Painting Light and Color in Landscapes and Cityscapes, Reardon covers it all, from answers to beginners' most vexing problems (What is the proper ratio of pigment and water? How do I lay down an even wash? Why do my paintings look so washed out?) to understanding the trifecta of perspective, value, and color. He shows how to paint whites that sparkle and shadows that glow and how to conjure the atmosphere of a particular place and time. Painters of all skill levels will see--and feel--the difference in their work.

  • Packed with expert advice for infusing scenes with light and color
  • Includes special tips and techniques for painting architectural subjects
  • Illustrated with inspiring paintings of scenes from around the world
  • 8 start-to-finish demonstrations show key concepts in action
"Light, as it glances off a facade, glimmers off the water or gleams off polished marble, is always inspiring. Color, with its infinite array of hues, is always irresistible. Searching for ways to make them harmonize and tell a story can last a lifetime."

  • Sales Rank: #56803 in Books
  • Brand: North Light Books
  • Published on: 2016-03-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.88" h x .63" w x 8.25" l, .0 pounds
  • Binding: Hardcover
  • 142 pages

About the Author
Michael Reardon has been painting in watercolor for over twenty-five years, using the medium to record his observations, convey a sense of place and light, and communicate his impressions of the built, natural, and imagined worlds.
In 2005 he was the recipient of the prestigious Gabriel Prize from the Western European Architecture Foundation, which enabled him to spend three months painting in Paris. After receiving his architecture degree from UC Berkeley, he worked as an architectural illustrator for over thirty years.
He is sought after as an instructor, leading workshops around the country and internationally with a focus on the use of light and color. 
He is a signature member of the American Watercolor Society, the National Watercolor Society, Watercolor West, and the California Watercolor Association. His watercolors have been featured in many magazines, including American Artist Watercolor, Artist's Magazine, Southwest Art, Watercolor Artist, Plein Air, Fine Art Connoisseur, and L'Art de l'Aquarelle.

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21 of 21 people found the following review helpful.
The New "Must Have" Book for your Watercolor Library
By Vision Wrangler
If I had to whittle down my vast collection of watercolor painting books to just a few, this one would be at the top of the "keep" list. It is clearly written, gorgeously illustrated, and clearly laid out and printed, but more importantly, it breaks down the elements of watercolor painting into many bite-sized chapters that will give painters of all levels something new to think about and try. His discussions on staining vs non-staining colors, creating greens, mixing colors, warm vs cool shadows, and atmospheric techniques are things most experts use but rarely take the time to explain. Every color mixture is explained throughout the book, in the warm personable style of the author. If you're looking for a book for someone who has never painted in watercolors, this isn't it -- for that I'd recommend Gordon MacKenzie's The Watercolorists' Essential Notebook; but for all of the rest of you who have painted a little (or a lot!) and want to move your work forward, Michael's book will give you an amazing array of techniques and ideas to focus on. In addition, the examples (of which there are *so* many) are glorious and extremely inspirational. This book is really a spectacular effort: it covers a lot of ground and is a great value at the price--I've paid much more for books worth much less. One thing to think about: you can also buy this book directly from the publisher (North Light Books) but their packaging is *so* awful that I everything I've bought from them has arrived damaged and had to be returned. So buy it from Amazon, and prepare to be amazed, inspired, and a better painter!

12 of 12 people found the following review helpful.
Every watercolorist, beginner to advanced, needs this book!!!!
By Tim Oliver
I have bought many books on watercolor painting over the years and have learned a lot of valuable things in them but rarely have I encountered one like Michael Reardon's Watercolor Techniques! Michael is an incredibly gifted artist as well as a fantastic writer. His book is packed with easy to understand illustrations and text as well as incredibly enlightening demonstrations. Michael's book is a "must have" for the beginning and novice watercolorist. If you're an advanced painter that desires to push your work to a higher level, you'll be thrilled by the discussions on light, luminosity, color value, shadows, shade and mood. Color theory can sometimes be confusing to novice and advanced painters alike. Michael tackles this subject in a masterful way! His discussion regarding complementary colors, luscious greens and shades of white and gray will literally transform the way one paints in watercolor. Chapter 7 alone is worth the price of the book! Learning to paint in the watercolor medium is truly a "lifetime journey". It is truly an incredibly satisfying journey of learning and discovery! If you are just beginning the trip or many years down the road, I can assure you that Michael Reardon's Watercolor Technique will be an invaluable companion.

10 of 10 people found the following review helpful.
The printing by North Light is beautiful. The paintings by Michael are wonderful
By L. A. Strom
My self-imposed no more book buying moratorium... well, I totally forgot it when I saw Michael had written a book on watercolor. The printing by North Light is beautiful. The paintings by Michael are wonderful. And the instruction and illustrations of stages of how he painted a piece is the best part, and offered explanation for techniques I'd long wondered about. He's also very generous about showing his setup and the gear he prefers. Travel minimalists will like his plein-air no-easel setup, showing him sitting on steps with his things scattered around him. Three thumbs up!

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Minggu, 13 Juli 2014

[O630.Ebook] Get Free Ebook Teaching Visual Literacy in the Primary Classroom: Comic Books, Film, Television and Picture Narratives, by Tim Stafford

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Teaching Visual Literacy in the Primary Classroom: Comic Books, Film, Television and Picture Narratives, by Tim Stafford

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Teaching Visual Literacy in the Primary Classroom: Comic Books, Film, Television and Picture Narratives, by Tim Stafford

Teaching Visual Literacy in the Primary Classroom shows how everyday literacy sessions can be made more exciting, dynamic and effective by using a wide range of media and visual texts in the primary classroom. In addition to a wealth of practical teaching ideas, the book outlines the vital importance of visual texts and shows how children can enjoy developing essential literacy skills through studying picture books, film, television and comic books.

Designed to take into account the renewed Framework for Literacy, each chapter offers a complete guide to teaching this required area of literacy. Aimed at those who want to deliver high quality and stimulating literacy sessions, each chapter contains a range of detailed practical activities and resources which can be easily implemented into existing literacy teaching with minimal preparation. In addition, each chapter gives clear, informative yet accessible insights into the theory behind visual literacy.

Containing a wealth of activities, ideas and resources for teachers of both Key Stage 1 and Key Stage 2, this book discusses how children's literacy skills can be developed and enhanced through exploring a range of innovative texts. Six chapters provide comprehensive guides to the teaching of the following media and literacy skills:

  • picture books
  • film and television
  • comic books
  • visual literacy skills
  • genre
  • adaptation.

Teaching Visual Literacy in the Primary Classroom is an essential resource for all those who wish to find fresh and contemporary ways to teach literacy and will be useful not only to novices but also to teachers who already have experience of teaching a range of media.

Students, primary school teachers, literacy co-ordinators and anyone who is passionate about giving pupils a relevant and up-to-date education will be provided with everything they need to know about teaching this new and ever-expanding area of literacy.

  • Published on: 2010-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 7.50" w x .75" l, .0 pounds
  • Binding: Hardcover
  • 192 pages

Review

'I am Key stage 2 teacher and found this book amazing! If you aren't already using visual aids, this resource offers some exciting and engaging lesson plans and a great place to start. Tim Stafford obviously knows his subject and from this has created an insightful book that offers alternative methods to teaching literature.' - Customer Review, Amazon 

About the Author

Tim Stafford is a lecturer, writer and teacher. He has taught extensively across Key Stages 1 and 2 and teaches English and Literature to students at secondary and undergraduate levels.

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Sabtu, 12 Juli 2014

[J644.Ebook] Download Ebook The Chivalric Romance and the Essence of Fiction, by Dani Cavallaro

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The Chivalric Romance and the Essence of Fiction, by Dani Cavallaro

Ranging from Chretien de Troyes to Shakespeare, this study proposes that the chivalric romance is characterized by a centerless structure, self-conscious fictionality and a propensity for irony.

The form is tied to historical reality, yet represents the archetype of imaginative literature, declaring its fictional status without claiming to embody fixed truths. Through use of irony, the chivalric romance precludes conclusive interpretations, inviting readers to inhabit multifold fantasy worlds while uncompromisingly showing that an ideal world is only a fiction. Thus the reader is enjoined to confront the suspension of truth in their own lives.

  • Sales Rank: #4424035 in Books
  • Published on: 2015-12-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .60" w x 5.90" l, .0 pounds
  • Binding: Paperback
  • 228 pages

About the Author
Dani Cavallaro has written widely about literature, cultural theory, and anime. She lives in London.

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Rabu, 09 Juli 2014

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A Guide to Christ: Or, the Way of Directing Souls That Are Under the Work of Conversion - Scholar's Choice Edition, by Increase Mather, So


This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

  • Published on: 2015-02-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.69" h x .37" w x 7.44" l, .70 pounds
  • Binding: Paperback
  • 172 pages

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[X294.Ebook] Get Free Ebook Old Yeller, by Fred Gipson

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Old Yeller, by Fred Gipson

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Old Yeller, by Fred Gipson

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Old Yeller, by Fred Gipson

When a novel like Huckleberry Finn, or The Yearling, comes along it defies customary adjectives because of the intensity of the respouse it evokes in the reader. Such a book, we submit, is Old Yeller; to read this eloquently simple story of a boy and his dog in the Texas hill country is an unforgettable and deeply moving experience.

  • Sales Rank: #10453 in Audible
  • Published on: 2010-01-05
  • Format: Unabridged
  • Original language: English
  • Running time: 212 minutes

Review
"Occasionally, but very rarely, one reads a book with the increasing certainty, as one turns the pages, that a classic is unfolding before one's eyes."-- "Chicago Sunday tribune""Exciting and heartwarming indeed. Recommended for adults and teenagers."-- "Library Journal"

About the Author
With Old Yeller, Fred Gipson secured his place as one of the finest novelists in America. The book was published to instant acclaim and has become one of the most beloved children's classics ever written. Since its publication in 1956, Old Yeller has won countless awards, including the 1957 Newbery Honor. Mr. Gipson's other works include both fiction and non-fiction. He grew up in the Texas hill country and died in 1973.

From AudioFile
Actor Barry Corbin gives this classic story of an ugly, yellow stray dog a first-rate reading. Corbin's smooth, even-paced delivery and warm, friendly tone reflect the adventure, fun, and love shared by Old Yeller and 14-year-old Travis, and he thoughtfully communicates the heartbreak that comes when Travis must kill the loyal dog, who has been bitten by a rabid wolf. The abridgment is done well. The plot remains intact. What's missing is a small amount of the narrative that gives a strong sense of early frontier days in the Texas wilderness. This animal story is a good choice for families prepared to cry, as well as to laugh, together. C.R.A. (c)AudioFile, Portland, Maine

Most helpful customer reviews

79 of 84 people found the following review helpful.
A MUST FOR YOUNG READERS!
By M. Grant
I'm a 7th grade teacher and I introduced my students to this novel for the first time this year. To my amazement they had never even heard of OLD YELLER. Now, middle school students can be the toughest audience in the world but THEY LOVED THIS BOOK.
Author Fred Gipson perfectly captures the time period of Texas in the late 1800's and the challenges of daily life. Into the mix of chores and adventures on the farm is the universal bond of a boy and his dog. Travis and Old Yeller are two characters that any child will immediately connect with and grow to love. And naturally as many novels geared towards younger readers, the conclusion will remain with them long after the novel has been read.
On a side note I must also recommend the classic Walt Disney version of OLD YELLER (VHS or DVD). Young readers will enjoy the similarities and differences between novel and movie. It's an excellent example to build discussion or writing lessons involving comparisons or contrasts.
And while I have continually mentioned young readers I should also comment that OLD YELLER is a must-read for people of any age group. So the next time you need to be entertained by a great novel, pick up this classic.

42 of 47 people found the following review helpful.
A good book; A sad, but good book
By A Customer
This heart-warming book is about Old Yeller, (Which mean 'Yellow' in those days) a stray golden-brown dog which Travis' little brother (Little Arliss)finds. Travis hates the dog, who they named 'Old Yeller', until Old Yeller saves Travis' life. Soon they are best buddies, but the fate that is awaiting at the end brings them apart. This book is perfect for ages 7 and up, and is a terrific day-to-day read. This has 16 exciting chapters for either read aloud or silent reading. If your lookin' for a book to read, It's Old Yeller.

27 of 30 people found the following review helpful.
Old Yeller
By A Customer
Old Yeller is the beautiful, touching story of a boy and his big "yeller" dog.

When Travis's father goes on a cattle drive, Travis takes over the farm. He takes on a big task and is furious to find a big, one-eared, yellow dog eats thier meat, plays in their drinking water, and runs away when his family is in dire need of help. But Old Yeller proves himself when he saves Travis's litttle brother, Arliss, from a mad mother bear.

I loved reading Old Yeller because the story became real. I love dogs and it was amazing how detailed the story was. It was touching to read about how close Travis and Old Yeller were brought together.

Old Yeller is a classic novel everyone can read. Fred Gipson tells about the love and loyalty the characters possess for one another. I highly recommend this touching story that filled me with emotion and made my day forever.

See all 513 customer reviews...

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Sabtu, 05 Juli 2014

[H102.Ebook] Free PDF The Oxford Handbook of White-Collar Crime (Oxford Handbooks)From Oxford University Press

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The Oxford Handbook of White-Collar Crime (Oxford Handbooks)From Oxford University Press

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The Oxford Handbook of White-Collar Crime (Oxford Handbooks)From Oxford University Press

Free PDF The Oxford Handbook of White-Collar Crime (Oxford Handbooks)From Oxford University Press

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The Oxford Handbook of White-Collar Crime (Oxford Handbooks)From Oxford University Press

Although white-collar crime has caused a substantial amount of damage on both the individual and societal levels, it often ranks below street crime as a matter of public concern. Thus, white-collar crime remains an ambiguous and even controversial topic among academics, with a relative dearth of scholarly focus on the issue.

The Oxford Handbook of White-Collar Crime offers a comprehensive treatment of the most up-to-date theories and research regarding white-collar crime. Contributors tackle a vast range of topics, including the impact of white-collar crime, the contexts in which white-collar crime occurs, current crime policies and debates, and examinations of the criminals themselves. The volume concludes with a set of essays that discuss potential responses for controlling white-collar crime, as well as promising new avenues for future research. Uniting conceptual theories, empirical research, and ethnographic data, the Handbook provides the first unified analytic framework on white-collar crime.

Given the astronomical aggregate losses to victims, building a more nuanced understanding of the dynamics of white-collar crime is a topic of immediate social concern. The definitive resource on white-collar crime, this Handbook will be a valuable resource for developing both intellectual and policy-related solutions.

  • Sales Rank: #1953303 in Books
  • Published on: 2016-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.20" h x 2.20" w x 9.90" l, .0 pounds
  • Binding: Hardcover
  • 744 pages

About the Author

Shanna R. Van Slyke is Associate Professor of Criminal Justice in the Department of Economic Crime and Justice Studies at Utica College, NY.

Michael L. Benson is Professor in the School of Criminal Justice at the University of Cincinnati.

Francis T. Cullen is Distinguished Research Professor Emeritus and Senior Research Associate in the School of Criminal Justice at the University of Cincinnati.

Most helpful customer reviews

0 of 0 people found the following review helpful.
A good sinthesis on the present knowledge and on the discussion ...
By franz vanderschueren
Very interesting Handbook on a subject which is dificult and on which exist very few books. A good sinthesis on the present knowledge and on the discussion on the complexity of the "white collar crime" concept and analysis.
Franz Vanderschueren
PHD sociology
Director of the Master on urban safety and prevention
Faculty of law
Universidad Alberto Hurtado
Santiago
Chile

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