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A new edition of the classic study of the religious changes that transformed England in the sixteenth century.Henry VIII officially brought the Protestant Reformation to England in the 1530s when he severed the English Church from the Papacy. But the seeds of the movement, according to A.G.. Dickens, were planted much earlier. The English Reformation, first published in 1964, follows the movement from its late medieval origins through the settlement of Elizabeth I in 1559 and the rise of Puritanism.

• Sales Rank: #1567509 in Books
• Published on: 1991-09-01
• Original language: English
• Number of items: 3
• Dimensions: 9.00" h x 1.44" w x 6.00" l,
• Binding: Paperback
• 461 pages

Review
There is no alternative in sight which comes close to conveying the story of the English Reformation in narrative power and substantial information. --Heiko A. Oberman, University of Arizona

I seized the first edition of The English Reformation as soon as it appeared, and it has been a dominating intellectual presence ever since. It was a wonderful book, elegant, incisive, and humane, it dealt fairly with politics and legislation, but above all it revealed the dynamic appeal of early Protestant ideas to academics and artisans, preachers and parishioners. It was by far the best survey of its subject, and it has not been overtaken since. . . . This second edition is a response to recent revisionist suggestions--that the old Church had vitality and appeal, that its rituals and beliefs were supportive and supported, that Protestants had a hard time making converts, and that political machinations, not protest movements, were the agent of change. . . . In a new introduction, (Dickens) insists that the English Reformation was no little local difficulty, explained by specific political circumstances; it was part of the European Reformation, a wave of Christian renewal. . . . It is the old book--only more so! --Christopher Haigh, Times Higher Education Supplement

I seized the first edition of The English Reformation as soon as it appeared, and it has been a dominating intellectual presence ever since. It was a wonderful book, elegant, incisive, and humane, it dealt fairly with politics and legislation, but above all it revealed the dynamic appeal of early Protestant ideas to academics and artisans, preachers and parishioners. It was by far the best survey of its subject, and it has not been overtaken since. . . . This second edition is a response to recent revisionist suggestions--that the old Church had vitality and appeal, that its rituals and beliefs were supportive and supported, that Protestants had a hard time making converts, and that political machinations, not protest movements, were the agent of change. . . . In a new introduction, (Dickens) insists that the English Reformation was no little local difficulty, explained by specific political circumstances; it was part of the European Reformation, a wave of Christian renewal. . . . It is the old book--only more so! --Christopher Haigh, Times Higher Education Supplement

About the Author
A.G.. Dickens is Professor Emeritus of History at the University of London and co-author of The Reformation in Historical Thought (Harvard, 1985).

Most helpful customer reviews

11 of 18 people found the following review helpful.
My Favourite Course Book
By A Customer
Although this was not one of my tutor's recommended "books to buy" I have bought it anyhow. Although Dickens' descriptions of The English Reformation are, at times, simplistic, this book is invaluable for gaining an overview of what was going on during the period. I recommend it to any college student, as a springboard to more weightier tomes.

3 of 9 people found the following review helpful.
Much needed, well researched, a little boring
By A Customer
Closer to 3.5 stars.
To learn that the English Reformation had its own history rather than one piggybacking off of that of Germany and France is invaluable. The examination of characters such as Wycliffe, the Lollards, and other precursors to the Reformation was great.
I understand that the type of research Dickens did concerning land ownership, wills, etc. is not exactly stimulating to read about, but I wish he would have written in a slightly more enjoyable manner.

11 of 17 people found the following review helpful.
Important in its day, now discredited
By Ken H
Groundbreaking for its use of local evidence (wills, church records, etc), Dickens' thesis has since been convincingly overturned. His argument that "A multitude of nagging testamentary and tithe causes, lay resentment against the moral jurisdiction and the heavy probate fees of the church courts, the rise of lay education, humanist biblical criticism,... the declining reputation of the Roman Curia... and many more [influences] had created before the meeting of the Reformation Parliament an atmosphere little short of explosive.." (p. 326) fell at the hands of Revisionists like Eamon Duffy (see his The Stripping of the Alters, 1992, and Fires of Faith, 2009).

Dickens work is too Protestant triumphalist to be taken seriously today. For example, on the martyrs of Mary Tudor's reign, he wrote that they had "a wealth of human fortitude, of `civil courage', of adherence to mere principle which the English in their history have seldom found a comparable chance to display". (p. 271) Who needs that much artificial sweetener?

If you want a balanced, well-written, up-to-date narrative of the Reformation during the Tudor period utilizing the latest research, try Alec Ryrie's "The Age of Reformation." (2009)

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[C251.Ebook] Download PDF Strictly Seduction, by Shayla Black

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PURELY PASSION As an innocent girl, Madeline Sedgewick learned that nothing comes without a price—even desire. Five years later, now widowed and deeply in debt, she’s certain that the stranger who bought her last husband’s notes of credit will demand swift, steep repayment. But she never imagines her creditor will be Brock Taylor, her baseborn former stable-hand turned newly wealthy entrepreneur—the man who stole her virginity and her heart. She’s even more stunned when he says that he’ll forgive her debts only if she becomes his wife. Brock’s memories of their parting are no less bitter than Maddie’s, and his plans for their future are hardly a rekindling of their blissful first love. But seeing Maddie again—just as spirited, strong, and beautiful as ever—reawakens a desire he thought long dead. When she refuses his proposal, they strike a dangerous wager, with Brock’s self-made fortune and Maddie’s treasured independence at stake. It’s a wager only one of them can win—as long as they resist the other’s passionate seduction . . . and falling in love again.

• Sales Rank: #1623827 in Books
• Brand: Brand: Shelley Bradley LLC
• Published on: 2011-12-05
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .78" w x 5.50" l, 1.03 pounds
• Binding: Paperback
• 310 pages

Features

• Used Book in Good Condition

About the Author
Shayla Black (aka Shelley Bradley) is the New York Times bestselling author of over 30 sizzling contemporary, erotic, paranormal, and historical romances for multiple print and electronic publishers. She lives in Texas with her husband, munchkin, and one very spoiled cat. In her "free" time, she enjoys reality TV, reading and listening to an eclectic blend of music. Shayla has won or placed in over a dozen writing contests, including Passionate Ink's Passionate Plume, Colorado Romance Writers Award of Excellence, and the National Reader's Choice Awards. Romantic Times has awarded her Top Picks, a KISS Hero Award and a nomination for Best Erotic Romance. A writing risk-taker, Shayla enjoys tackling writing challenges with every book. Have something to say? Contact Shayla or visit her on her Facebook page.

Most helpful customer reviews

8 of 8 people found the following review helpful.
Who knew historical romance could be this hot
By Under The Covers Book Blog
Strictly Seduction
by Shelley Bradley

Who knew historical romance could be this hot? Lack of communication got them apart to begin with. Madeline, who had grown up in London society, fell deepy in love for Brock five years ago. She even gave him her virginity. But Brock was nothing more than her father's stable hand then and her father paid him off so he would leave town. Or so she thought.

When she realized she had gotten pregnant, she married Lord Sedgewick to cover it up and claim the child as his. Now, with her husband's death almost a year ago and all he left behind were debts, she is left in a precarious situation. This is when Brock comes back into her life.

He's made something of himself, has money, but doesn't have the acceptance in society. He pays off her debts and proposes the deal that she'd marry him to repay him. A deal she refuses to accept. He has a lot of ulterior motives, of course: vengeance, a business venture, acceptance. But most of all he is still deeply in love with her. Even though he can't bring himself to say this to her.

Madeline doesn't want to admit she still has feelings for him, even though he makes his best attempts to seduce her. She doesn't tell him they have a daughter together either. But oh how good he is at the seduction.

While there was an incredible lack of communication between these two characters, I enjoyed every single one of their interactions and how their story slowly unfolded. They were put in a position where they had to be more intimate than they would've otherwise and face the feelings that were still there.
A story of a second chance at love. Of falling in love all over again and forgiving past and present mistakes. It kept me glued to the pages as I usually expect by this wonderful author.

* Review copy provided by author

1 of 1 people found the following review helpful.
"Strictly Seduction Flaming HOT"
By Stars
Brock Taylor returned to Ashdown Manor a wealthy man. He had broken Maggie's heart five years ago when he left her to find his fortune. Maggie discovered that she was pregnant. Maggie's father made the arrangements for her to marry Lord Colin Sedgewick. Sedgewick even went as far as to have the birth certificate dated back six weeks and claimed the baby.

Maggie's husband Colin died and left her deeply in debt. Mr. Hockelspeck informed Maggie that all her late husband's bills have been paid. Brock Taylor, who broke her heart five years ago, paid Maggie's late husband's debt. However, there is a catch. In researching the idea of a passenger railroad between London and Birmingham; Brock discovered that Maggie owns a parcel of the land he needs. Brock must marry Maggie for her to claim the land that her father had left to her in retainer. And, if Maggie remarried, the land would automatically go to her husband.

The events that occurred between Maggie and Brock were very interesting. They were hot together. Maggie and Brock, during their courtship, had difficulty communicating. They were deeply in love. However, they constantly disagreed and both were stubborn. Therefore, that lead to Maggie being obstinate not to marry Brock. Brock on the other hand, was just as pigheaded as Maggie until the last chapter where he proved his love.

0 of 0 people found the following review helpful.
"Strictly Seduction is rigorously passionate!"
By Amazon Customer
When Madeline Sedgewick's husband died he left her and her daughter in massive debt. She has been trying to pay the creditors for years barely scraping by enough to feed her family. Things seem to be looking up for Maddie when she discovers she no longer owes her many creditors but it doesn't take her long to discover that she now owes only one man the entire debt and there is only one thing Brock Taylor wants in return for the debt.

Brock Taylor doesn't have a drop of the blue blood that is treasured among London's ton but that hasn't stopped him from becoming a success. As a young boy he fell in love with Madeline, his love has driven him to become worthy of her. He has never gotten over the fact that she married another so soon after he left for London. Now that she is a widow he intends to make her his; if he gets status and power in the bargain all the better. Before the month is out Maddie will be his wife whether she likes it or not.

Strictly Seduction is rigorously passionate! Maddie and Brock share a long history with much emotion between them. The sizzle between them is unrelenting and potent. Shelley Bradley has written a fiery historical with magical feeling. I could not wait for all of the truths to come out in Strictly Seduction. Maddie and Brock have been kept apart long enough and I was salivating for the time when they would finally get their acts together. Strictly Seduction is ripe with rapturous romance.

Reviewed by Miranda
For Joyfully Reviewed

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[Y268.Ebook] Ebook Free Environmental Control Systems: Heating, Cooling, Lighting, by Fuller Moore

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A text/reference for architects and architectural engineering students taking a course on energy methods, this work places emphasis on the impact of heating, cooling and lighting on site of building design and features a variety of case studies as illustration. It includes over 640 diagrams and drawings emphasizing important concepts and over 250 study questions to consolidate learning.

• Sales Rank: #648815 in Books
• Brand: Brand: Mcgraw-Hill College
• Published on: 1992-08-01
• Original language: English
• Number of items: 1
• Dimensions: 8.75" h x 11.25" w x 1.00" l,
• Binding: Paperback
• 576 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

1 of 2 people found the following review helpful.
Environmental Control Systems
By M. Anderson
This course textbook is an excellent tool for both the beginner and the experienced architect with regard to expanding one's knowledge base on energy designing. The text starts with basic information relating to the environment and site analysis, then provides detailed design concepts for practical use. The materials include current examples for review and study, as well as a wealth of tables and calculation aids for application of the theories studied. Even the individual who just wants a single source for receiving a working knowledge of how to evaluate a site's characteristics with regard to the environment would benefit from this text.

2 of 2 people found the following review helpful.
great intro to heating, cooling, and lighting in buildings
By A Customer
good introduction to heating lighting and cooling systems in buildings. Covers basic physical principles, human response, design response to site and ong emphasis on passive systems with lighter coverage of mechanical and electrical systems. Lots of wroked examples, case studies, design guidelines, and illustrations by the author. Useful both as a text for architecture students as well as a refresher for practitioners.

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The field of sensory evaluation has matured in the last half century to be­ come a recognized discipline in the food and consumer sciences and an important part of the foods and consumer products industries. Sensory pro­ fessionals enjoy widespread recognition for the important services they provide in new product development, basic research, ingredient and process modification, cost reduction, quality maintenance, and product op­ timization. These services enhance the informational support for manage­ ment decisions, lowering the risk that accompanies the decision-making process. From the consumers' perspective, a sensory testing program in a food or consumer products company helps ensure that products reach the market with not only good concepts but also with desirable sensory attrib­ utes that meet their expectations. Sensory professionals have advanced weil beyond the stage when they were simply called on to execute "taste" tests and to provide statistical summaries of results. They are now frequently asked to partleipale in the decision process itself, to draw reasoned conclusions based on data, and to make recommendations. They arealso expected tobe weil versed in an in­ creasingly sophisticated battery of test methods and statistical procedures, including multivariate analyses. As always, sensory professionals also need to understand people, for people are the measuring instruments that provide the basic sensory data. People are notoriously variable and diffi­ cult to calibrate, presenting the sensory specialist with many additional XV :xvi PREFACE measurement problems that are not present in instrumental methods.

• Sales Rank: #6615431 in Books
• Published on: 1998-12-31
• Original language: English
• Number of items: 1
• Dimensions: 1.40" h x 7.34" w x 10.28" l, 3.29 pounds
• Binding: Hardcover
• 827 pages

Review

From the reviews of the second edition:

“This volume is an academic text, bringing together theory, methodologies and analysis techniques of sensory evaluation and references to thousands of research articles on sensory science in a logical and practical manner. … its primary aim is as a textbook for university-level sensory science modules. … also serves as an over-arching technical manual and resource for practicing food and drink technologists and sensory scientists. … The book is essential reading for those in the sensory evaluation sphere and serves as an excellent and practical reference.” (Patricia Stefanowicz, Journal of Wine Research, Vol. 24 (1), 2013)

From the Back Cover

The field of sensory science has grown exponentially since the publication of the first edition of Sensory Evaluation of Food. Fifteen years ago, the journal Food Quality and Preference was fairly new. Now it holds an eminent position as a venue for research on sensory test methods (among many other topics).  Knowledge of the intricate cellular processes in chemoreception, as well as their genetic basis has undergone nothing less than a revolution, culminating in the award of the Nobel Prize to Buck and Axel in 2004 for their discovery of the olfactory receptor gene super family. Advances in statistical methodology have accelerated as well. Sensometrics meetings are now vigorous and well-attended annual events. And yet, some things stay the same. Sensory testing will always involve human participants. But humans are tough measuring instruments to work with. They come with varying degrees of acumen, training, experiences, differing genetic equipment, sensory capabilities, and of course, different preferences. Human foibles and their associated error variance will continue to place a limitation on sensory tests and actionable results.

Although methods continue to evolve, appreciation of the core principles of the field is the key to effective application of sensory test methods. This book has been expanded to reflect the advances in methodologies, theory, and analysis that have transpired in the last 15 years. The chapters are now divided into numbered subsections. This may be of assistance to educators who may wish to assign only certain critical sections to beginning students. In some of the opening sections instructors will find suggestions about which sections are key for fundamental understanding of that topic or method. In many chapters we have gone out on a limb and specified a “recommended procedure.” In cases where there are multiple options for procedure or analysis, we usually chose a simple solution over one that is more complex.

This text attempts to be comprehensive, yet understandable to all students at the university level. All the major sensory test methods are illustrated and discussed, including discrimination, descriptive, and affective tests. Some chapters are devoted to special topics, such as thresholds, time-intensity methods, similarity testing, color, texture, sensory quality control, qualitative research methods, consumer test methods and questionnaires, shelf life testing, an introduction to multivariate statistical techniques, and strategic sensory research. The statistical appendix provides basic instruction in the common statistical analyses for sensory evaluation with worked examples.

Harry T. Lawless is Professor of Food Science at Cornell University where he teaches sensory evaluation. He has 35 years of experience in chemosensory research and psychophysics. He spent five years in consumer testing in industry, and serves as a consultant to various food and consumer products companies on sensory test methods.

Hildegarde Heymann is Professor of Viticulture and Enology at the University of California at Davis where she teaches sensory evaluation of wine and sensometrics. She spent nearly 17 years at the University of Missouri as a professor of sensory science.

About the Author
Harry T. Lawless is Professor of Food Science at Cornell University where he teaches sensory evaluation. He has 35 years of experience in chemosensory research and psychophysics. He spent five years in consumer testing in industry, and serves as a consultant to various food and consumer products companies on sensory test methods. Hildegarde Heymann is Professor of Viticulture and Enology at the University of California at Davis where she teaches sensory evaluation of wine and sensometrics. She spent nearly 17 years at the University of Missouri as a professor of sensory science.

Most helpful customer reviews

7 of 7 people found the following review helpful.
Required for class, also a great reference
By Simon D. Hucko
Ordered the book from Amazon and got it very quickly. It was required for the class I'm taking, but there's a wealth of information inside, and I'm definitely hanging on to it as a reference once the course is done.

Not only does it provide a practical and theoretical overview of sensory testing, but it contains all of the statistics necessary to evaluate your experiments. There are plenty of reference tables in the appendix, removing the need to do a lot of math in order to determine significance of results.

I would definitely recommend this book to anyone who is in the sensory field

1 of 1 people found the following review helpful.
Interesting and well-written book matter
By BlackShoe
The book itself is a little dry, however, it conveys what you need to know in an understandable way. It provides examples of the statistics involved in sensory testing and many other examples of real-life situations. I did enjoy this book and it worked well with the class I took.

0 of 0 people found the following review helpful.
Sensory Evaluation of Food: Principles and Practices (Food Science Text
By Aldegunda Matunda
I have just receive this book few days, I like it because it give me well understanding of what I was looking for!

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• Sales Rank: #4618994 in Books
• Published on: 2010
• Original language: English
• Dimensions: 24.29" h x 3.19" w x 18.50" l, 2.31 pounds
• Binding: Paperback

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FOR THE FIRST TIME EVER, YOU’LL LEARN ALL THREE ASPECTS OF WHAT IT TAKES TO CREATE STUNNING PORTRAITS
(HINT: IT’S NOT JUST THE LIGHTING)

Scott Kelby, the world’s #1 best-selling author of photography books, Editor-in-Chief and Publisher of Photoshop User magazine, and Publisher of the just-released Light It magazine, has reinvented how lighting books are written by finally revealing the entire process from start to finish. You see everything from the complete lighting setup (and all the gear used), to the shoot (including all the camera settings and a contact sheet of the progression of the shoot), to the all-important part that most books don’t dare include–the post-processing and retouching in Photoshop. This book also breaks new ground in the visual way it teaches you the lighting setup. There aren’t any sketches or 3D models–you see the lighting layout in a full-page photo, taken from above during the live shoot, so you can see exactly where everything’s positioned (the subject, the photographer, the lighting, the background–you name it–you see it all). Plus, you’ll see side, over-the-shoulder, and more behind-the-scenes views, so you can absolutely nail the lighting every time.

LEARN THE LIGHTING SETUPS THE PROS USE
Each year, Scott trains thousands of professional photographers during his Light It. Shoot It. Retouch It. LIVE! seminar tour and now, for the first time ever, he’s taken that incredibly popular style of learning and put in into book form. Now everyone can have a real-world reference for getting the same looks today’s clients are clamoring for.

You’ll learn:

• The step-by-step layouts for creating the most-requested and sought-after lighting looks
• How to get more out of one light than you ever thought you could (this is worth it alone!)
• How to control and shape your light without breaking the bank
• The camera settings, gear, and power settings for every shot
• The retouching techniques the pros really use to make their subjects look their very best
• How to retouch hair, eyes, lips, skin, and lots of other little retouching tricks that make a really big difference
• How to create high-contrast portrait effects without buying expensive plug-ins
• A host of insider tricks, invaluable shortcuts, and kick-butt special effects to give you a real advantage over the competition

Plus, Scott includes a special bonus chapter that shows how to create these same studio looks using off-camera hot shoe fl ashes and the modifi ers made for them. There’s never been a book like it.

• Sales Rank: #80738 in Books
• Published on: 2011-09-11
• Original language: English
• Number of items: 1
• Dimensions: 9.94" h x .55" w x 8.00" l, 1.60 pounds
• Binding: Paperback
• 264 pages

Amazon.com Review


Amazon.com Exclusive: Bonus Content from Scott Kelby, Author of Light It, Shoot It, Retouch It

Here are a few things I wish someone had told me before I started studio lighting. In this book, I list ten things about lighting. Here are three to get you started right away.

[Click Photo for Exclusive Content]

Picking an f-stop for Portraits


Start with Just One Light Shoot Tethered to Your Computer

About the Author
Scott Kelby is Editor-in-Chief of Photoshop User magazine, President of the National Association of Photoshop Profession als (NAPP), Training Director for the Adobe Photoshop Seminar Tour, and one of the leading seminar instructors in the industry today. Scott is author of the best-selling books The Lightroom Book for Digital Photographers, Professional Portrait Retouching Techniques for Photographers Using Photoshop, Photoshop Down & Dirty Tricks, and The Digital Photography B ook (volumes 1, 2 & 3), among others. His easygoing, plain-English style of teaching makes learning photography and Photoshop fun. Scott trains thousands of photographers each year through his live seminars, live Webinars, and his weekly videocast. He knows firsthand which lighting and retouching techniques are in demand, and now he shares them all in one place, here in his latest book.

Most helpful customer reviews

50 of 53 people found the following review helpful.
About 80% Retouch It, 15% light it, 5% shoot it
By MiRSD
I'll start by saying I'm a big fan of Kelby's books - they're very easy to read (mostly because they're filled with photos and minimal writing opposed to the opposite!) and you usually get some new information in a non-technical way that's easy to understand.
Unfortunately, I'm kind of disappointed by this one -- while called "Light it, Shoot it, Retouch it", the majority of the book revolves around how to fix the images in photoshop (not too big of a surprise, since Kelby is a 'photoshop guy' before a 'photographer'.

I bought the Kindle version (for use on the iPad) and it looks great - images are clear, large and easy to see. I will say that I'd only use it on a Kindle Fire or iPad (the black-and-white kindles will lose a lot from the book, since it's so image-heavy). If you have one of the above though, this is a great way to save a little money and have a portable version "on the go" wherever you're at.

So the premise for the book is great - they show you a final image, then the lighting setup/camera info and finally the editing to get it there. If you read the free sample chapter here you'll only see the final image, lighting setup and camera information.. this is a bit misleading as about 80% of the content is actually in the editing of each image.

For each "look" you get a handful of views of the lighting setup, which is a great idea! An overhead shot showing the model, background, lights, camera, etc.. (plus some side-shots to see more detail and positioning). For each lighting setup/style, you get 1 image which that chapter will focus on (creating it from the lighting to camera settings to photoshop work).

The included chapters/looks are:
Clamshell Lighting, High-contrast lighting, dramatic glamour lighting, lens-flare lighting, using ring flash for fashion lighting, edgy lighting, full-length fashion lighting, soft glamour lighting, fashion side lighting, lighting for compositing, dramatic side lighting, 1940's hollywood-style lighting.

The entire book pretty much revolves around studio shooting (the exception being the fashion side lighting setup, which is done in a house-location) - while this might seem somewhat obvious for the book, a number of shots do show what looks like an "on location" background (spoiler alert - that's all photoshop).

The setups use between 1-4 lights each and a number of modifiers (a ringflash, diffusers, reflectors, grids, softboxes, egg-crates, strip-banks, octobox, continuous lights, strobes, beauty dishes, backdrops and more -- some take it a little further with fog-machines, hair fans and additional lighting). The funny part is that the book starts with "You don't have to spend a ton of money to get these looks" (which then goes on to say you shouldn't cheap on flash modifiers/accessories). It's also worth noting that a number of photoshop tools in here are specific to CS5 (the latest version), so if you're using CS4 or previous you won't be able to follow along with all of these.

For the lighting setups, Scott includes the power settings of each strobe - if you're trying to recreate this look exactly, this is probably helpful.. but for anyone else, seeing "This strobe is 2.6 and this one is 3.9 and this is 4.2 power" isn't going to help everyone. It would have been great if a ratio would have been used ("This light is half-power of this light and the rear light is double the power of the rest"). If you don't use the same lights he does, the power levels (2.6, 3.9, 4.2) probably won't do you too much good.

There is an "add-on" chapter for using a hotshoe flash instead of strobes, and 1 chapter showing continuous lighting, but for the most part this book only uses strobes (Elinchrom).

The "Shoot it" part is very brief on each chapter - showing you the shutter speed, lens, focal length, aperture and ISO. None of this was really helpful, especially since there was no explanation (why the 70-200mm f/2.8 lens on some shots and the 24-70mm 2.8 on others? Why 130mm, why 24mm? why that aperture?)

After this, you get a LONG section on post processing the image. I'll admit, there are some real cool tips in here (for sharpening/contrast), but I was also very surprised by how basic some were (in a "Really? That's the best way? I came here looking for a better way to avoid doing that!" way). There is also a LOT of morphing - model have an odd bump on their head? lets re-shape that. bald spot? we can add some hair there. With the amount of processing on each shot, this seems like a good book for the person who wants ONE final shot from a shoot, but not for the person who will be going through 100 images from a shoot and editing 40 of them. I was hoping for a way to get "that shot" out of camera, not a way to go in after the fact and fix it. Some stuff could easily be avoidable (shooting a full-body model shot on a 5-foot wide backdrop, then needing to fix it in photoshop? why not start with a 10-foot backdrop and save the time? Unless this is supposed to be a "If you end up in this situation.." tip)

As mentioned above, there are some Photoshop CS5-specific tools used in the processing, so if you're using CS4 or older you won't be able to follow-along completely.

I can see this book being useful for the person trying to run a photo business, maybe providing single-shots (or a small amount of them) and not afraid of photoshop, but for the average person you're probably not going to want to go through a 35-step process for completely re-creating a models face (lighting, cloning, sharpening, contrast, re-shaping, re-painting, re-positioning, background replacement) for a single shot. If you're going to do that, why bother with the crazy modifiers/flashes to begin with?

I'm not afraid of photoshop by any means (I actually like it!), but the amount done here just seems so excessive for anyone but the high-end fashion photographer.

With all this said - why the heck did I give it 4 stars?
Well, there is useful information in here - quite a bit! The lighting diagrams are helpful (a chapter showing the differences in lighting modifiers would have been nice - comparing the same shot with a beauty dish, softbox, grid, ringflash, etc..), the camera settings didn't do anything for me but there were some neat tips/tricks in the photoshop section (while I probably won't use the re-shaping, or replacing backgrounds, the tips for sharpening and contrast were very helpful. For that, it was worth it.

33 of 35 people found the following review helpful.
Awesome Book! love the step by step + looks amazing on the Kindle
By Phillip Guyton
When I noticed that i could buy the full kindle version now, before it's hit stores i jumped right on this, i've been reading Kelby's Blog + watching "The Grid" video podcast that he does and been looking forward to this book, i couldn't make it to the tour he just did so the book is a nice substitute.

I've always enjoyed his writing style, and he answers alot of questions I've had as a semi-pro newbie is a way that i can understand; and i must say that on my PC Monitor it's formatted perfectly, i can scroll from shot to shoot and see how it evolves step by step; i think i may prefer this over having a hardcopy.

I'd strongly recommend this to someone like me trying to figure out the best way to use your lights to create stunning images; also the procedure to really make them "pop" in your photoshop post production.

I like the detail about each shoot so you can really see what is going on; and the contact sheets were a great idea.

EDIT: the kindle version is slightly annoying b/c of the size of the images, you can't really zoom in and see them in great detail , as the other reviewer pointed out this is a bit disappointing.. particularly since the kindle edition is more expensive than the book, the content it still excellent but i did find i wanted to zoom in close than I could.

21 of 21 people found the following review helpful.
Old Dog - New Tricks
By Gareth Davies
As an experienced studio portrait photographer I like to think I know my way round most lighting setups or at least have a pretty educated guess - This book however takes it one step further. People may show you a lighting setup or a finished "polished" shot, but not many take you through the complete step by step process.
For me seeing the contact sheet and Scott's out of camera RAW, lets me relate to how I see my images out of the camera and the potential of the finished shot. Hang in there, it sounds obvious! but Scott's style of writing is as if he is standing next to you guiding you through the stages and why. This is a key thing that a lot of narrators don't get. I looked at a couple of the RAW's and thought hmm, lets see where we go with this.

I love seeing the lighting setup shots from every aspect - front, side, back (and top) showing proximity, angle etc - it takes away the guess work you get from some follow along books I have previously read. The camera settings are there for all to see as are the power settings on the lights. For me venturing out of the studio in to the real world without expensive strobes, this is a godsend.
This book tells you what to edit in what scenario - would I spend half an hour do skin retouching on a full length fashion shot...? no, look at what the focus is on and polish that. Again sounds obvious, but I have been caught up doing things my way, burning up value time.

I have a short attention span and read the manual when something breaks - This book lets you jump in to whatever style you want, when its applicable to you - there is no having to read 15 chapters on things you will never do - if you want portrait, beauty, composite etc just go look it up. There is no expensive equipment needed, in fact the "do it with Speedlights" section is perfect if you don't have a studio etc - this book is ideal for everyone.

While this is a "follow with Scott" ride, not only does it gives you the information end-to-end but for me its a starting point I can experiment with these new styles. I will never know enough about photography and this has certainly got my creativeness flowing again.

New ideas, alternative setups and time saving tips..... The time saved has paid for the book already. And yes I am old school, so I have the physical printed book I can feel and scribble on.

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This introductory text is geared toward engineers, physicists, and applied mathematicians at the advanced undergraduate and graduate levels. It applies the mathematics of Cartesian and general tensors to physical field theories and demonstrates them chiefly in terms of the theory of fluid mechanics. Numerous exercises appear throughout the text. 1962 edition.

• Published on: 2012-01-01
• Binding: Unknown Binding

Most helpful customer reviews

52 of 55 people found the following review helpful.
Mathematical Foundations of Fluid Mechanics
By Utah Blaine
The title and many of the Amazon reviews of this book are misleading in my opinion. This book should have been titled `The Mathematical Foundation of Fluid Mechanics'. This book describes, in gory detail, the fundamental mathematics of viscous fluid flow. The text is, obviously, heavy on vector and tensor calculus. The first few chapters review the basic theorems of vector and tensor calcular relevent to fluid dynamics. The basic equations of fluid dynamics are then derived, and the analysis is extended to viscous flow. Finally, Aris discusses coordinate transformation and tensor analysis (that is really more of a lead-in to GR than fluid dynamics, although it is interesting to see how this all ties together!). This is NOT a `complete' text in hydrodynamics. There is no discussion of turbulence, supersonic flow, instabilities, etc. This is a text on the mathematical (and geometrical) foundations of hydrodynamics. As such, I view this as an advanced text for a researcher who wants to understand hydrodynamics at it's most complete, fundamental mathematical level. If you are searching for any other type of hydrodynamics text, just move on. The reason that I only gave this book four stars was because I feel that hydrodynamics is a much richer discipline than what is contained within this book. Some of the most enthusiastic reviews greatly overstate the value of working through this book. You will learn quite a bit by going through this book, and it is a great text IF you want to study the foundations of hydrodynamics in great detail, but you will need (alot) more if you want to begin to appreciate fluid mechanics.

17 of 18 people found the following review helpful.
Very complete introduction to tensor analysis in 3 dimensions.
By Daverz
This would make a good introduction to tensors for physics students (e.g. for General Relativity), though the approach is a completely classical, using index notation; you won't find anything on manifolds or differential forms here. An interesting feature is an extensive chapter on local surface theory (e.g. Gaussian curvature, but only after introducing the full Riemann tensor), which is good for building intuition about curvature in higher dimensions. While the applications are all in n

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