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Book by Perec, Georges

• Sales Rank: #3641801 in Books
• Brand: Brand: Harvill Pr
• Published on: 2000-05
• Ingredients: Example Ingredients
• Original language: French
• Number of items: 1
• Dimensions: 8.46" h x .63" w x 5.31" l,
• Binding: Paperback
• 176 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

9 of 9 people found the following review helpful.
A Stunner, Folks
By Volkswagen Blues
With all due respect to the previous reviewer, I really don't see the use in contrasting Perec and Clancy. They're not just in different ballparks, but they play different games. Clancy's job is to tell a good story and make things simple; he does it well, and I'm a fan. Perec's job, however, is to make sure his reader knows exactly how difficult things really are. This goes doubly for an approach to one of the most difficult historical moments of the recent past, the Holocaust. Perec's "W or the Memory of Childhood" embodies all of the violence of this historical tragedy and of memories of such tragedy.
There are two narrative threads running through this book, touching each other occasionally in a manner that illuminates both in strange and arresting ways. Half of the chapters are "W," the fictional account of a man, Gaspard Winckler, who has survived a war by adopting the identity of a parapalegic (the real Gaspard Winckler) who later dies in a shipwreck off the Tierra del Fuego. Prodded by the mysterious Otto Apfelstahl, the living Gaspard embarks on a journey to recover his memory of the real Gaspard, to discover who he was and how he died. This journey becomes, in the second half of "W," a description in coldly anthropological terms of a seemingly totalitarian island-state, in which citizens are forced to compete in brutal and naked athletic games for things like food and the right to procreate--the basics of human life.
The other half of the chapters are Perec's own autobiographical contributions, beginning, despite the promising title of the book, with the admission, "I have no memory of childhood." Perec's voice sifts through his rubbled past--his father's death in the French Army, his mother's transportation to Auschwitz, his being concealed in a Catholic school and raised by his relatives--and attempts to separate what he remembers from what he has been taught to remember through photos, language, etc. His reflections are marked with a humor that is endearing in light of his horrifying experiences, and with a subtlety that is astounding in light of the atrocities to which the text must bear remote witness.
The two narratives, "W" and "The Memory of Childhood," weave around each other like ivy, finally becoming, in a stunning and climactic final chapter, part and parcel of one story. Perec's ultimate fusion of his willful fictions and his awe-full remembrances is powerful and well-presaged; the entire universe of the book builds beautifully and disturbingly toward this final moment, as the fictions become more like fact and the autobiography occupies itself increasingly with fictions.
Bellos' translation is superb, even if one does lose some of the very productive puns of the original (the moment early on, for example, when "l'Histoire avec sa grande hache" should make us think simultaneously of History with a capital H and History with its big axe; Bellos sticks with the capital H rendering of the phrase).
So, no, "W or the Memory of Childhood" is not Tom Clancy. But it doesn't mean to be, and it doesn't need to be. What it is, instead, is a sobering, touching, daunting and disturbing reminder of some of the worst our century has had to offer. If you are interested in a writer who is unashamed of standing heroically baffled and gaping in the face of immeasurable atrocity, buy and read this book.

1 of 2 people found the following review helpful.
double you
By Matt Harron
Georges Perec's W, or The Memory of Childhood is an astonishing narrative that fuses two stories about the exploration of one man's disoriented childhood during WWII and another's disturbing tale of W, a place where nightmares become reality. The reader is led to believe that these two tales have little in common, but as they unfold it becomes painfully clear just how connected they are.

The first tale is an autobiography of a man struggling to understand his shattered childhood, the loss of his parents, and the painful experiences of growing up in Nazi occupied France. Perec utilizes a style of fragmented writing, much like the actual memory of our own childhoods. This style allows the reader to see how memory is truly bits and pieces of shrouded experience that must be sorted and analyzed. In spite of the title, Perec admits that "I have no childhood memories" in the opening of the autobiography and this is displayed throughout the tale. Every memory, every photograph is poked with holes, which is made evident by the recurrent phrases beginning with "perhaps" and "I think" and "maybe". Memory of childhood cannot be painted in a clear picture; it will always be distorted and vague and Perec's style incorporates this idea.

The second tale is a story that seems to have no relation to the autobiography. It is a story about a man with little past who has deserted the French army and lives in Europe by assuming the identities of other people. Under the assumed identity of Gaspard Winckler, the protagonist reaches the merciless island of W, a direct metaphor of Nazi Germany. The island-state forces people to compete in Olympic like events in order to win the basics of human life. Winners are glorified with rich clothes and lavish meals, and of course encouraged to over-indulge to ensure they would not win the following day. Losers are stripped naked and beaten, but are occasionally stoned to death and hung on the city gates to make it clear that `survival of the fittest' is the law of the land.

The entire island of W is related to the ideas that fueled ethnic cleansing during WWII. The degradation and punishment of the weak and the glorification of the strong on W is much like Hitler's final plan and his attempt at establishing an Arian race. Although the stories remain separate until the end of the book, these metaphorical ties are evident and can be seen by the attentive reader. The tales seem to want to converge, and then they both take off in separate directions again. The merging of the stories builds throughout the narrative as Perec uses light touching of ideas and metaphors to link W, and Perec's autobiography in 1940's France.

The real fusion of the two tales comes in the final chapters of the story when the autobiography begins to turn more like fiction, and the fictional story of W, starts to become more factual. We learn that the island of W is a real island and that it is being used as a deportation station in South America. We learn of what truly went on in camps and how hard people were worked and how badly they were treated. These stories are beautifully woven together by Perec and they show true compassion and inventive writing style. This is a touching narrative of some our century's worst times, and a wonderful piece of writing by Georges Perec.

2 of 13 people found the following review helpful.
This one's never gonna pull readers away from Clancy
By A Customer
A unfortunate sacrifice of story in favor of experimental form, this hybrid of autobiography and politically-charged fairy tale never actually coheres and never really gets across the real atrocities both the author and Europe underwent. That the novel is patently a literary game somehow doesn't seem related to the fictional culture of games being indicted in the novel, and since the relation between the form and the content is unclear the book falls flat. Or maybe the novel is about the simultaneous futility and necessity of testimony. Unfortunately any subtler rationale for the book is lost in tumult.

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[I964.Ebook] Ebook A Town Like Alice (Vintage International), by Nevil Shute

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Nevil Shute’s most beloved novel, a tale of love and war, follows its enterprising heroine from the Malayan jungle during World War II to the rugged Australian outback.

Jean Paget, a young Englishwoman living in Malaya, is captured by the invading Japanese and forced on a brutal seven-month death march with dozens of other women and children. A few years after the war, Jean is back in England, the nightmare behind her. However, an unexpected inheritance inspires her to return to Malaya to give something back to the villagers who saved her life. But it turns out that they have a gift for her as well: the news that the young Australian soldier, Joe Harmon, who had risked his life to help the women, had miraculously survived. Jean’s search for Joe leads her to a desolate Australian outpost called Willstown, where she finds a challenge that will draw on all the resourcefulness and spirit that carried her through her war-time ordeals.

• Sales Rank: #41151 in Books
• Model: 8767004
• Published on: 2010-02-09
• Released on: 2010-02-09
• Original language: English
• Number of items: 1
• Dimensions: 8.01" h x .79" w x 5.19" l, .58 pounds
• Binding: Paperback
• 368 pages

Review
“Entertaining. . . . Dramatic. . . . Shute is a natural and effective story-teller.” —The New York Times

“A ripping tale of budding romance and grace under pressure.” —The Times (London)

"A harrowing, exciting, and in the end very satisfying war romance." —Harper's

From the Inside Flap
"A harrowing, exciting, and in the end very satisfying war romance."
HARPER'S
A TOWN LIKE ALICE tells of a young woman who miraculously survived a Japanese "death march" in World War II, and of an Australian soldier, also a prisoner of war, who offered to help her--even at the cost of his life....

About the Author
Nevil Shute Norway was born in 1899 in Ealing, London. He studied Engineering Science at Balliol College, Oxford. Following his childhood passion, he entered the fledgling aircraft industry as an aeronautical engineer working to develop airships and, later, airplanes. In his spare time he began writing and he published his first novel, Marazan, in 1926, using the name Nevil Shute to protect his engineering career. In 1931 he married Frances Mary Heaton and they had two daughters. During the Second World War he joined the Royal Navy Volunteer Reserve where he worked on developing secret weapons. After the war he continued to write and settled in Australia where he lived until his death in 1960. His most celebrated novels include Pied Piper (1942), A Town Like Alice (1950), and On the Beach (1957).

Most helpful customer reviews

163 of 171 people found the following review helpful.
Wonderful book which works on many levels
By Gary M. Greenbaum
Too few of Nevil Shute's books are in print in this country--fortunately, this is one of the better one.
When an old Scottish man dies, London solicitor Noel Strachan learns that his sole heir is a young woman named Jean Paget. Strachan acts as her trustee, dispensing money as needed under the will, but the old lawyer soon finds himself falling for the young lady. Before Strachan has done more than shown her London's culture, Paget is off to Malaya to repay the village where she stayed during WWII by digging a well. She convinces Strachan to release the money by telling the story (based on real life) of how she and other women were held prisoner by the Japanese, but eventually found refuge in a small village. Before they go there, they encounter a young Australian, Joe Harmon, who is crucified for stealing food for them. When Paget returns to Malaya, she learns that Harmon survived and returned to Australia. Meanwhile, Harmon has gone to England to seek her, having thought she was married when they met in Malaya. They eventually meet up in Australia (Strachan, out of his own love for Jean, has gently attempted to frustrate the meeting). Jean, determined to make her home in Harmon's home area, sets out to make the godforsaken town into "A Town Like Alice"--a modern town like Alice Springs.
It is a fascinating story. But overlooked in every review I read is the role of the old solicitor, Noel Strachan, who finds himself in love with Jean some decades too late, and is unable to serve as a rival to Joe Harmon. He soon surrenders his unexpressed (even to himself) love out of regard for Jean's interest. His unrequited love, lends a poignant note to the book.
There are no villains. Even the dark characters, like the Japanese who crucified Harmon, are seen as human beings doing the best they can. The fact that the acts they do can be terrible do not alter the fact that they are human beings, and they are painted as such.
Harmon and the other Australian characters are not painted as well as the other characters; perhaps Shute, who had only recently emigrated to Australia, was afraid of erring in characterizations.
Still, a fine book that made a great miniseries.

78 of 81 people found the following review helpful.
One of the best books I have ever read!
By A Customer
I am a reader; I devour books. A Town Like Alice is one of my very favorites. I come back to it time and again, whenever I need to lose myself in the heat of Malaysia or the dust of Australia. This book is so well written that I can feel the stones in the road as Jean marches along with the other women in their "Death March". I can feel the despair she feels when she believes Joe to be dead and her intense joy when she discovers that he is still alive. The story is timeless. My mother-in-law,who was a bride during World War II, first introduced me to this book saying that it was her all time favorite, and even though I came of age in the 70's, the book speaks to me as well. Its message of love's survival in the face of desperate odds gives us all a sense of hope.

36 of 36 people found the following review helpful.
A timeless classic of love and adventure.
By D. Muhr
When asked what is my favorite book I always respond that I have two. The first is "To Kill a Mockingbird" by Harper Lee, and the second is "A Town Like Alice" by Nevil Shute. I've recommended it to many people over the years and I haven't found one person yet that could put it down. It's a true classic, one that I've enjoyed over and over. Shute's better known "On The Beach" is as good as "A Town Like Alice" but it is much darker in content. "Alice" is a sweet love story that spans time and distance. If you haven't read it yet do yourself a favor, pick it up, sit down in a comfy chair and enjoy.

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• Published on: 2014-07-31
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The aim of this book is to explain, carefully but not technically, the differences between advanced, research-level mathematics, and the sort of mathematics we learn at school. The most fundamental differences are philosophical, and readers of this book will emerge with a clearer understanding of paradoxical-sounding concepts such as infinity, curved space, and imaginary numbers. The first few chapters are about general aspects of mathematical thought. These are followed by discussions of more specific topics, and the book closes with a chapter answering common sociological questions about the mathematical community (such as "Is it true that mathematicians burn out at the age of 25?") It is the ideal introduction for anyone who wishes to deepen their understanding of mathematics.

About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.

• Sales Rank: #81203 in Books
• Published on: 2002-10
• Original language: English
• Number of items: 1
• Dimensions: 4.20" h x .40" w x 7.00" l, .28 pounds
• Binding: Paperback
• 160 pages

Review
`a marvellously lucid guide to the beauty and mystery of numbers' Gilbert Adair

About the Author

Timothy Gowers is Rouse Ball Professor of Mathematics at Cambridge University and was a recipient of the Fields Medal for Mathematics, awarded for 'the most daring, profound and stimulating research done by young mathhematicians'.

Most helpful customer reviews

118 of 122 people found the following review helpful.
a beautifully written introduction to (some of) what mathematics is
By Nim Sudo
Like many mathematicians, I often wish that I could give my non-mathematical acquaintances a better idea of what I actually do, and I was hoping that this book would serve that purpose. However, this book isn't so much about what mathematicians do and why, but rather about what mathematics is, i.e. what certain basic mathematical concepts mean. The first 7 chapters roughly cover the following topics:

1) What does it mean to use mathematics to model the real world?

2) What are numbers, and in what sense do they exist (especially "imaginary" numbers)?

3) What is a mathematical proof?

4) What do infinite decimals mean, and why is this subtle?

5) What does it mean to discuss high-dimensional (e.g. 26-dimensional) space?

6) What's the deal with non-Euclidean geometry?

7) How can mathematics address questions that cannot be answered exactly, but only approximately?

The eight and final chapter makes a few remarks about mathematicians.

The writing is spare and beautiful. For each topic, the book takes just enough space to give the reader some food for thought, then moves on. I especially liked the middle four chapters. I would definitely recommend this book to students in lower-division undergraduate math courses who are curious about or puzzled by the above questions.

The book touches on some philosophical questions. In doing so, the book flies close to some subtleties (such as Godel's theorem and the Banach-Tarski paradox) without acknowledging them (which is reasonable enough for a Very Short Introduction). Also, one can argue with some of the philosophical statements. For example, is mathematics discovered or invented? The author espouses the axiomatic approach (which is pretty much how mathematics is written), whereby mathematicians invent the rules and discover the consequences of the rules. I would want to emphasize that these rules are not completely arbitrary, but often there is some intuitive notion that one is trying to capture. In this regard, here are two specific statements in the book that I take issue with: 1) The author argues that i does not have a Platonic existence, on the grounds that one could replace i with -i in all mathematical statements without changing anything. OK, but if this is supposed to imply that complex numbers are invented rather than discovered, then I am not convinced. 2) The author suggests that in teaching students who make mistakes such as x^(a+b) = x^a + x^b, it might be good pedagogy to introduce exponentiation axiomatically and then deduce facts such as x^3=xxx from the axioms. However I think that if one does not already understand that x^3=xxx, then working with exponentiation axiomatically will just be meaningless symbol manipulation, of the kind that I encourage beginning calculus students to unlearn. I think that it makes more sense to build up a solid understanding of what x^n means when n is a whole number, and only then generalize.

Anyway, the nitpicking in the previous paragraph should probably just be regarded as evidence of the thought-provoking nature of the book.

The author has posted a number of additional essays on related topics on his webpage. These tend to be a bit more mathematically advanced than the book, but not too much, and are also good reading.

100 of 106 people found the following review helpful.
Pragmatic Mathematics
By Peter Reeve
An introduction to mathematics could be just that; elementary arithmetic and geometry, or it could be an outline history, or finally, it could introduce the philosophical aspects of the subject. Gowers does none of those, although he does touch on the history and philosophy of mathematics. This is really an introduction to higher mathematics, for readers who have reached what in Britain is GCSE standard, roughly eleventh grade in the US.

Philosophically, Gowers is a pragmatist. To him, problematic concepts like infinity and irrational numbers have meaning in as much as they are useful, and are true in as much as they give true results. As a European, Gowers credits Wittgenstein with these ideas. An American author would have credited William James. Gowers sidesteps rather than resolves philosophical problems, thus giving reassurance to mathematicians and irritation to philosophers.

The book is a random selection of topics rather than a continuous narrative, but succeeds because each topic is fascinating and the writing is clear throughout.

Under "Further Reading", Gowers includes his own website address, where you can find sections that did not make it into the book. What a good idea! The site is as full of good stuff as the book, and gives links to further sites that will give you as much mathematics as you will ever want.

141 of 163 people found the following review helpful.
A Very Good Introduction
By Bibliophile
Philosophy of math under 200 pages!
If one expects a thorough course in basic math, this book may not be it - "Mathematics for the Million" by Lancelot Thomas Hogben should be your first choice. Nor does this book have much to say about the historical development of mathematics - for this there is no substitute for Morris Kline's "Mathematics for the Non-Mathematician" (which teaches the basic concepts of math simultaneously, aided by exercises).
This book aims to convey, I think, a sense of what mathematical reasoning is like. "If this book can be said to have a message, it is that one should learn to think abstractly, because by doing so many philosophical difficulties simply disappear," writes Gowers in the Preface. And at times it does feel as though you're reading a book written by a philosopher. For instance, p. 80-81 discusses "What is the point of higher-dimensional geometry?" (Of course Gowers is not a philosopher but a VERY distinguished mathematician.)
Incidentally, here's something that stumps me. Gowers says "[t]here may not be any high-dimensional [i.e., more than three] space lurking in the universe, but...." But I thought higher-dimensional space is what superstring theory is all about. And besides, Martin Rees, Andrei Linde and Alan Guth are now telling us there is an infinite number of universes outside our own, each taking a different number of dimensions - some fewer than three, others many more! Higher-dimensional space may not be as abstract as Gowers thinks.
Gowers's main point, however, is that higher dimensions have meaning and validity in mathematics quite independent of whether they are grounded in objective physical reality, or whether physicists use them or not.
This once again illustrates what Eugene Wigner called "the unreasonable effectiveness of mathematics." Mathematicians often develop concepts, like Riemannian geometry, n-dimension geometry (where n is over 20), etc., which are way ahead of developments in the empirical sciences, often without any idea whether they will become applicable to, say, physics. Steven Weinberg puts it this way: It's as though Neil Armstrong when visiting the Moon found the footsteps left behind by Jules Verne.
Rare indeed is the distinguished physicist who does not hold mathematics and mathematicians in high regard.
I find this book very stimulating to read (though not always easy to understand - my fault no doubt). It won't help you with school problems. Nor will it help with daily life. But it is deep and thought-provoking, explaining "just what IS mathematics?"
I have a minor point of disagreement over this sentence on p. 127: "Here is a rough and ready definition of a genius: somebody who can do easily, and at a young age, something that almost nobody else can do except after years of practice, if at all." This definition would seem to exclude some of the greatest scientists of all time: Einstein, Max Planck (who was already middle-aged when he discovered the quantum), not to mention Darwin, Benjamin Franklin, Niels Bohr, even possibly Newton. (It would exclude many non-scientific geniuses also, like Marlborough, who won the Battle of Blenheim at the ripe old age of 54.)
I pointed out to the author that his definition is actually appropriate for "prodigy" (and he seemed to agree). Indeed his statement is a very succinct definition of "prodigy."
Is this point worth discussing? It wouldn't have been, were the concept "genius" not so often used among mathematicians - to describe one another (with good reasons). I might add by the way that Gowers, a Fields Medallist, is a certified genius himself. (Gowers told me he disagreed on both charges.)
On reflection, Gowers's definition is not so much wrong as too exclusive. There are of course no simple ways to define "genius." Like "beauty," "genius" may be in the eyes of the beholder only - we think we recognize it when we see it. My feeling is that most prodigies are indeed geniuses - how else would you describe a six-year-old who understands trigonometry, or the 16-year-old who is a world champion in chess? - but many true geniuses are not and have not been prodigies when young. Einstein is one such example. And Darwin another (even more so). Perhaps Newton also.
I suspect that Gowers's error comes from his experience as a mathematician: many great mathematicians are indeed mathematical prodigies as children. (Think of John Von Neumann.) This rule is less true outside mathematics - and the further away from mathematics, the less true it becomes. Music is close to math for some reason - Mozart is an outstanding example - but war-making is obviously not. (Napoleon, who was good at math, and rose from nothing to Emperor of France at age 34, might disagree on the latter point. But then he later lost the war.)
Anyway, Gowers does say his definition is only "rough and ready," not complete in itself. This leaves room for other "definitions" of genius, as there indeed must be. Surely prodigy is that special kind of genius which catches people's attention instantly, and has some mysterious "magic" to it, which Gowers rightl stresses is not a necessary quality for success in mathematics. Von Neumann (always capitalized "V"), who mastered calculus by age 8, and went on to contribute to quantum mechanics, the Manhattan Project, the first mainframe computers (the "Von Neumann machines"), set theory, cybernetics, meteorology, the hydrogen bomb, and Game Theory, was a child prodigy with a photographic memory who fits Gowers's restrictive definition of genius - and indeed he was a genius by any definition. But as Gowers emphasizes, you don't have to be a Von Neumann to be a productive mathematician.
The following are Contents: Preface, List of Diagrams, 1 Models, 2 Numbers and abstraction, 3 Proofs, 4 Limits and infinity, 5 Dimension, 6 Geometry, 7 Estimates and approximations, 8 Some FAQs, Further reading, Index.
I'm surprised that calculus is nowhere to be found in the Index (as is Newton). If Gowers has discussed calculus in this book, I may have missed it. (But then I am no genius.) In any case a fuller discussion of calculus (and of Newtown) would seem desirable to me.
I can't think of a better book to carry around in your pocket than this. This book is outstanding.

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• Published on: 1944
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• Sales Rank: #5451423 in Books
• Published on: 1977
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