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Recording Secrets for the Small Studio, by Mike Senior
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Discover how to achieve commercial-grade recordings, even in the smallest studios, by applying power-user techniques from the world's most successful producers.
Recording Secrets for the Small Studio is an intensive training course specifically designed for small-studio enthusiasts who want a fast track to release-quality results. Based on the backroom strategies of more than 200 famous names, this thorough and down-to-earth guide leads you through a logical sequence of practical tasks to build your live-room skills progressively from the ground up. On the way, you'll unravel the mysteries of many specialist studio tactics and gain the confidence to tackle a full range of real-world recording situations. User-friendly explanations introduce technical concepts on a strictly need-to-know basis, while chapter summaries, assignments, and extensive online resources are perfect for school and college use.
* Learn the fundamental principles of mic technique that you can apply in any recording scenario -- and how to avoid those rookie mistakes that all too often compromise the sonics of lower-budget productions.
* Explore advanced techniques which help industry insiders maintain their competitive edge even under the most adverse conditions: creative phase manipulation, improvised acoustics tweaks, inventive monitoring workarounds, subtle psychological tricks...
* Find out where you don't need to spend money, as well as how to make a limited budget really count.
* Make the best use of limited equipment and session time, especially in situations where you're engineering and producing single-handed.
* Pick up tricks and tips from celebrated engineers and producers across the stylistic spectrum, including Steve Albini, Roy Thomas Baker, Joe Barresi, Tchad Blake, Bruce Botnick, Joe Chiccarelli, Neil Dorfsman, Jack Douglas, Geoff Emerick, Paul Epworth, Humberto Gatica, Nigel Godrich, Andy Johns, Eddie Kramer, Kevin Killen, George Massenburg, Hugh Padgham, Alan Parsons, Jack Joseph Puig, Phil Ramone, Bob Rock, Elliott Scheiner, Al Schmitt, Bruce Swedien, Butch Vig, Tony Visconti, and many, many more...
- Sales Rank: #465141 in Books
- Published on: 2014-08-18
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x .93" w x 7.52" l, .0 pounds
- Binding: Paperback
- 460 pages
Review
'This, Mike’s second ‘Small Studio’ book...is a perfectly targeted and very readable mine of technical information, practical advice and real–world home–studio experience...it’s a book that I’d be very happy to recommend unreservedly to enthusiasts, students and experienced practitioners alike.' - Hugh Robjohns, Sound on Sound
About the Author
Mike Senior is a professional engineer who has worked with Wet Wet Wet, The Charlatans, Reef, Therapy, and Nigel Kennedy. He specialises in adapting the techniques of top producers for those working on a budget, writing regularly for Sound On Sound magazine's 'Mix Rescue', 'Session Notes', and 'Mix Review' columns. He is also the author of the best-selling Focal Press book Mixing Secrets for the Small Studio.
Most helpful customer reviews
11 of 11 people found the following review helpful.
Practical / Well-Written / Drills Deep
By frankp93
I received a free item to review.
If you read Sound On Sound or have Mike Senior’s other excellent book ‘Mixing Secrets for the Small Studio’ you’ll find the tone here familiar.
Senior takes a bit more for granted in the reader’s prerequisite experience. If you’re a complete beginner to recording, I would say it’s not an insurmountable learning curve, but I think Bartlett’s ‘Practical Recording Techniques’ makes a better start for someone totally new to recording – along with some trial and error experience, that will always teach you things no book can.
Senior begins with an unorthodox and intriguing project – recording a music playing machine – a tape deck, mp3 player – as a sound source. By removing the ‘distractions’ of microphones and capturing an actual ‘moving’ performance, the author introduces quite a lot of material about basic workflow and the signal chain in both analog and digital contexts. Mind you, digital is clearly emphasized.
Successive projects progress logically and I think holistically in terms of the complexity of the source sounds as well as the subtlety and sophistication of the recording techniques - ‘sophisticated’ not in the ‘glossy overproduced’ sense, but in the sense of understanding the possibilities of the gear and the overriding importance of what Senior calls ‘the human element’.
Projects include recording vocals, single mic and multiple mic configurations for various instruments, all with a degree of depth not found in other books that try to be too encyclopedic in approach.
That’s the real strength of the book in my view – by limiting his boundaries wisely Senior does more with less and provides a greater amount of relevant information that an enterprising reader will teach himself to apply in other contexts.
This ‘human element’ as the author puts it, is evident throughout the book: It’s not about gear-fetishism or how to capture/recreate trendy (or for that matter, classic) sounds. It’s about being involved deeply and intelligently in the recording process and finding that to be a reward in itself - whether you’re working in a small professional or semi-professional studio or whether your ‘Own Private Abbey Road’ is little more than a tiny, misshapen spare room somewhere and your only client is yourself.
6 of 6 people found the following review helpful.
His writing comes across in a way that feels more like you're having a chat with a really cool guy ...
By sgchiasson
If you buy only one book on how to make an audio recording, this should be it! Not only does Mike know his stuff inside and out, he knows how to teach what he knows. His writing comes across in a way that feels more like you're having a chat with a really cool guy who happens to be an expert in his field as opposed to being lectured to by some stuffed shirt prima donna. His previously published book, Mixing Secrets for the Small Studio, literally transformed the way I approach a mix. The first project I mixed following the road map he laid out was productive, focused, fun, and one of the best-sounding mixes I've ever done.
Recording Secrets for the Small Studio presumes a certain level of know-how from the get-go, so rank beginners may do a bit of head-scratching from time-to-time. Similarly, if you've been recording for a while there will be sections you'll be tempted to skim over or skip entirely. Don't do it! There are nuggets of engineering wisdom on nearly every page.
Very highly recommended.
6 of 6 people found the following review helpful.
Great book. I really enjoyed Mixing Secrets
By S J Parker
Great book. I really enjoyed Mixing Secrets, and so had high hopes for this book. I wasn't disappointed. This is a great discussion on how to set up and use microphones. Very in-depth, and very informative. By the end of this book, I had a much deeper understanding of how to set up mics for recording, and how to choose which ones to use.
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